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Night Visions: Jieun Park

Past exhibition
6 September - 1 October 2017
  • press-release
  • Works
    • Jieun Park A Little Talk: Sydney, 2017 Chinese ink, Gold Leaf & Gold Dust on Korean Paper 91h x 91w cm
      Jieun Park
      A Little Talk: Sydney, 2017
      Chinese ink, Gold Leaf & Gold Dust on Korean Paper
      91h x 91w cm
    • Jieun Park A Little Talk: I, 2017 Urethane Paint & Gold Leaf on Birch Plywood 80h x 70w x 5d cm
      Jieun Park
      A Little Talk: I, 2017
      Urethane Paint & Gold Leaf on Birch Plywood
      80h x 70w x 5d cm
    • Jieun Park A Little Talk: Hong Kong, 2017 Chinese ink, Gold Leaf & Gold Dust on Korean Paper 60h x 45w cm
      Jieun Park
      A Little Talk: Hong Kong, 2017
      Chinese ink, Gold Leaf & Gold Dust on Korean Paper
      60h x 45w cm
    • Jieun Park A Little Talk: New York City, 2017 Chinese ink, Gold Leaf & Gold Dust on Korean Paper 117h x 73w cm
      Jieun Park
      A Little Talk: New York City, 2017
      Chinese ink, Gold Leaf & Gold Dust on Korean Paper
      117h x 73w cm
    • Jieun Park A Little Talk: Florence, 2016 Chinese ink, acrylic on Korean paper 162h x 112w cm
      Jieun Park
      A Little Talk: Florence, 2016
      Chinese ink, acrylic on Korean paper
      162h x 112w cm
    • Jieun Park A Little Talk: Singapore, 2017 Chinese Ink, Gold Leaf & Acrylic on Korean Paper 60.60h x 60.60w cm
      Jieun Park
      A Little Talk: Singapore, 2017
      Chinese Ink, Gold Leaf & Acrylic on Korean Paper
      60.60h x 60.60w cm
    • Jieun Park A Little Talk: San Francisco, 2017 Chinese Ink, Gold Leaf & Acrylic on Korean Paper 60h x 45w cm
      Jieun Park
      A Little Talk: San Francisco, 2017
      Chinese Ink, Gold Leaf & Acrylic on Korean Paper
      60h x 45w cm
  • Press
    • STYLER MAGAZINE KOREA

      Jieun Park's interview with Styler Magazine
      Jieun Park's interview with Styler Magazine, September 22, 2024
  • press-release

    Park's distinctive style blends large brushstrokes and splatters of ink with detailed depictions of urban landscapes at night.  While capturing the excitement and magic of various cities – among these, for example, are Hong Kong, Singapore, London and New York – the works also reveal a more subdued, contemplative narrative.  Through her paintings, Park hints at a paradox of urban life – being surrounded by thousands of people, yet feeling utterly alone.  The artist states:

     

    “The city is changing very fast while we are living our busy lives. The dull feeling of the buildings in my works portrays the people in hectic daily life where only meaningless everyday conversation exists.”

     

    Park's latest collection is a continuation of her previous exhibitions at REDSEA Gallery, but it is also a new emergence for the artist.  As her painting style evolves, focusing more intensely on the Chinese ink brushstrokes and incorporating new materials such as gold leaf, Park has also taken on a new challenge – sculpture.  The exhibition will feature four wall-mounted sculptures constructed of birch plywood and Park's signature black ink. Leaving the cityscapes behind, the new works concentrate entirely on the expression of the brushstroke in three dimensions.  Of her decision to create sculpture, Park says:

     

    "It's so exciting and I am enjoying the process of researching new materials. The most important feature of my work is the brushstroke and I would like to express this in a different way. I was worried about how people would react, but my own satisfaction with my work is most important and I just had to do it."

     

     

     
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